[CD Review] Makram, Recorded in New Jersey, by Joe Locke
For his 29th album, recorded in Middletown, Little Falls and Paramus, vibraphonist/keyboardist/arranger/composer/producer Joe Locke, 63, leads his quartet—with pianist Jim Ridl, bassist Lorin Cohen and drummer Samvel Sarkisyan—through some acrobatic arrangements, challenging in their complexity. The nine tracks start with Cole Porter’s 1930 “Love For Sale” and ends with some Ellingtonia (Billy Strayhorn’s 1948 “Lush Life), done as if you’re hearing both for the first time. In between, Locke’s originals meander on a circuitous route that gives each musician ample opportunity to strut their considerable stuff. Now add guests on trombone, French Horn, bass trombone, tuba, oud (a pear-shaped, 11-string lute with no frets), riq (an Arabian tambourine), soprano sax, bass clarinet and flute, and you have a nine-track program guaranteed to make your head spin.
Order ‘Makram’ via joelcoke.com